Before new media tools and the rise of the web, musicians were forced to deal with the tiresome and complicated network of organisations and businesses that manufacture and distribute CDs and LP's, collect royalties and oversee all the many facets of the "music industry".
Many of these organisations and governing bodies were self serving leeches, seeming set up only to make the lot of the independent music maker miserable. Well, we're not quite there yet but soon we will be able to give most of these organisations the finger and do it ourselves. Unfortunately there are still a few to deal with. This page offers comprehensive advice for music makers.
For simplified advice on uploading you music to fre and paid-for download web sites, click here.
The following are the primary processes of producing and selling your music online ...
Read our Music Recording pages to get help in many aspects of music production.
The primary options are ...
Whether you plan to sell CDs or downloads direct from your site, via a digital retail distributor (eg iTunes Music Store), or via an online shop (eg Amazon), it is a good idea to produce digital masters of your music which include a means of identifying them.
There are 2 primary ways of doing this ...
The ISRC code will help identify your discs and enable you to use iTunes to submit disc details (such as artist, track names etc) to the Gracenote CD database.
The industry organisation for overseeing standards for embedding and recognising "digital fingerprints" is the IFPI.
The IFPI oversees the ISRC (International Standard Recording Code) system of "digital fingerprinting". ISRC codes are unique numbers that can be embedded in a music file during the mastering process and which can be used to identify it and track copying and distribution. ISRC numbers are embedded into CDs during mastering prior to duplication.
The following is from the ISRC web site ...
The ISRC (International Standard Recording Code) is the international identification system for sound recordings and music video recordings. Each ISRC is a unique and permanent identifier for a specific recording which can be permanently encoded into a product as its digital fingerprint. Encoded ISRC provide the means to automatically identify recordings for royalty payments.
The International Federation of the Phonographic Industry (IFPI) recommends that all music producers use ISRC.
BENEFITS OF USING ISRC
The ISRC system is the key to royalty collection for recordings in the digital information age.* ISRC is a unique, reliable, international identification system.
* ISRC provides a unique tool for the purpose of rights administration.
* ISRC is a useful identification tool in the electronic distribution of music.
* ISRC coding is compatible with standards developed in the field of consumer electronics and is readable by hardware already used in the recording industry.
* ISRC is cost effective - it can be put into operation without requiring special investment in equipment or technologies.
The International ISRC Agency at IFPI can be contacted at ...
International ISRC Agency
c/o IFPI Secretariat
54 Regent Street
London W1B 5RE
United Kingdom
www.ifpi.org/isrc/
Email: isrc@ifpi.org
Telephone: 44 (0)20 7878 7900
Fax: 44 (0)20 7878 7950
The ISRC website(www.ifpi.org/isrc/) has excellent and clear information on this subject including a useful FAQs. Here are some of the main points ...
Each world "territory" has an appointed "local ISRC agency" which administers and assigns codes. You must contact the ISRC agency in your country to find out how they handle ISRC assigning. ISRC agencies for different countries can be found here ...
Here are the agencies for US and UK ...
UNITED STATES OF AMERICA
RIAA (Recording Industry Association of America)
1330 Connecticut Avenue NW, Suite 300, Washington DC 20036
Tel: +1 202 775 0101, Fax: +1 202 775 7253
Web: www.riaa.com
Point of contact: Carlos Garza or Laura Coker
Email: isrc@riaa.comUNITED KINGDOM
For videograms (video recordings)
VPL, 1 Upper James Street, London, W1F 9DE
Tel: +44 (0) 20 7534 1400 Fax: +44 (0) 20 7534 1414
Web: www.videoperformance.co.uk
Point of Contact: Ms Jane Samuels
Email: jane.samuels@videoperformance.co.ukFor phonograms (sound recordings)
PPL (Phonographic Performance Ltd)
1 Upper James Street, London W1R 3HG
Membership Help Desk Tel: +44 (0) 20 7534 1122 / 1000
Web: www.ppluk.com
Point of Contact: Ms Sue Carty
Email: isrc.info@ppluk.com
To register for an ISRC code in the UK you contact the ISRC agency representative (see above) at the PPL (Phonographic Performance Limited). The PPL is an organisation that can collect broadcast (radio, TV , live performance etc) royalties for both performers and record companies. Registering for an ISRC code and joining PPL is free. When you contact the ISRC agency member at PPL they will suggest you also join PPL, but you don't have too.
Read the information at the web site to decide for yourself. www.ppluk.com
The PPL are also involved in setting up a digital database of music called CatCo. Here's what they say at the PPL website ...
CatCo is a PPL initiative to create a track level sound recording database - providing the "one stop drop" for all sound recording data requirements.
CatCo has replaced the Repertoire Registration Form (RRF) process by electronically uploading data onto the CatCo dataBase . This data is either fed automatically from Record Company's own label copy systems or alternatively uploaded using the CatCo application (available to all PPL members).
the CatCo dataBase is developed from the Record Industry Association of America's (RIAA) sound recording database, which has been enhanced to meet the requirements of the UK Record Industry.
The project appears to be at any early stage (the website certainly is!) but you can find out more by contacting CatCo staff at ... www.catcouk.com
ISCR codes If you are using Red Book mastering software such as CD Architect, Roxio Jam or Emagic Waveburner you can enter ISRC codes into the relevant dialogue boxes once you have linked/imported your music files.
ID3 tags allow extra information about the artist, copyright etc and ISRC codes to be encoded with an MP3 file. There's loads of software to help you do this. Do a web search for "ID3 tags" or "ID3 MP3" or suchlike.
Gracenote is an online CD information database. When you insert a music CD into your computer drive, iTunes reads the discs TOC (table of contents) and connects to Gracenote to retrieve the artist, track and LP information stored there.
You can also submit CD information to the Gracenote database using iTunes. Because iTunes is so successful it is important that your CDs are registered with Gracenote.
You could just create MP3 files and post them on your website, or burn your own CD-Rs at home, or have CDs professional duplicated ... all without encoding any kind of "digital fingerprinting", but there are several disadvantages ...
If you are selling physical product (CDs & vinyl) through a shop (either high street or internet based) you will need a UPC barcode so it can be tracked through their retail system. If you are planning to sell product mail order through your own site, you don't need it.
Before we discuss the details of the UPC system, it is worth mentioning that many mastering houses and distribution companies are members of UCC and can often generate barcodes for their clients. However, if you want to do it yourself, read on.
UPC is essentially a worldwide system of identifying products by way of a unique identifying code printed in the form of a barcode and displayed on the products packaging or cover. If you have mechanical product (eg CD, DVD etc) and you want to sell it in a traditional shop (Tower Records, Virgin etc) or online shop (eg Amazon) then you must supply it with a UPC barcode clearly visible on the packaging.
A UPC code has 12 digits. The first six digits (1-6) identify the company. The next five digits (7-11) identify a specific product. The combination of these eleven digits plus a one-digit "check character" form the 12-digit UPC that uniquely identifies one and only one item.
UPC barcodes are administered jointly by EAN International and UCC (Uniform Code Council).
This from the UCC website (http://www.uc-council.org) ...
In order for your company to print U.P.C. Bar Code Symbols, your company will need to become a member of the Uniform Code Council, Inc. (UCC). When you become a member, your company will be assigned an identification number for your company's use (company prefix). You will need this number to create your own U.P.C's.
Membership of UCC seems to involve an annual subscription fee of approx $100. In the US the UCC assigns barcodes directly. In other territories this is done by associate member organisations.
In the UK, the associate member organisation is E-Centre (www.e-centre.org.uk) which exists to facilitate membership of UCC and assignment of the barcode system.
When I emailed the UCC for clarification of the relationship between EAN, UCC and UPC this is what they replied ...
EAN International and The Uniform Code Council, a Member Organization of an expanded EAN International, are voluntary standards organizations charged by their respective boards with the co-management of the EAN.UCC System and the Global Standard Management Process (GSMP). The EAN.UCC System standardizes bar codes, EDI transactions sets, XML schemas, and other supply chain solutions for more efficient business. By administering the assignment of company prefixes and coordinating the accompanying standards, EAN International and the Uniform Code Council maintain the most robust item identification system in the world.
The UCC is the name of our organization (UNIFORM CODE COUNCIL) and we assign the first part of the number when companies want to identify their products with a UPC (Universal Product Code.) The name Ean /UCC is a means of globally identifying all the member organizations in the world. The UCC helps members in the US and we have member organizations in the other countries, the e-centre is the member organization in the United Kingdom www.e-centre.org.uk
This from their website ...
You have three different approaches to getting your bar code printed:
If you are planning to sell your files as digital downloads there are 2 primary options to consider ...
You're either going to burn short CDR runs at home, or have CDs and/or vinyl professionally duplicated at a pressing plant (economical for quantities over 1000 units). Beware, some online retailers will not accept CD-R stock.
There are numerous duplication services with online presences such as ...
www.a1cds.co.uk
UK based service.cdsourcing.com
UK based service.
There are 2 basic approaches you can take ...
There are a number of obstacles you must overcome in order to do this ...
Forget about cheques and money orders, you will need secure credit card transactions facilities capable of accepting money in all currencies. Be aware that every transaction will incur a charge from the merchant bank system.
Debit cards In the UK, debit cards such as Switch and Maestro cost the merchant (that's you!) 35p per transaction. OK if you're selling a car but a hefty chunk of profit on a 79p digital download.
Credit cards In the UK, credit cards such as Visa cost the merchant (that's you again!) approx 2-3% per transaction and 2% of gross turnover at year end.
For more precise figures and local variations you need to read the small print of any agreement you enter into. Are you beginning to understand why the banks make such astronomical profits?!!!!
Option 1 If you are adept at web site programming and back-end development (ASP, PHP, CGI etc) you could build your own merchant e-commerce transaction, inventory and order tracking system, but for most of us this is far too difficult.
Option 2 Pay for a web hosting package that includes merchant e-commerce transaction facilities. You'll pay for your web space and a monthly e-commerce fee (in addition to the merchant fees for credit & debit cards already discussed). Click here for an example service.
Option 3 Add the merchant e-commerce transaction facilities of a 3rd party secure online payment service to your site. They will of course charge you a transaction fee that covers the merchant fees they will incur plus their profit on top. Try these links ...
www.payloadz.com (download merchant e-commerce transaction service)
|
Advantages | Disadvantages |
|---|---|---|
| CD & vinyl | You don't need UPC - barcodes. Money comes directly to you. |
Customers might not trust your merchant e-commerce transaction facilities. Customers might not want to use PayPal or NoChex etc. You will need to offer some way for customers to track their orders. You'll have to pack and post your own CDs. Dealing with returns is a pain. |
| Downloads | Money comes directly to you. If you use a service like PayLoadz, distribution and order tracking is handled for you. |
Customers might not trust your merchant e-commerce transaction facilities. Customers might not want to use PayPal or NoChex etc. Small single debit card transactions could wipe out your profit. If you don't use a service like PayLoadz you will need to email files to customers or build a secure way for them to download the files they've paid for. You will need to offer some way for customers to track their orders. |
There are now many services of this type, here are a couple of better known ones ...
You will need duplicated "mechanical" product (CDs, DVDs), shrink wrapped and displaying a UPC barcode . www.amazon.com/advantage allows independent labels to sell their CDs through the US (.com) site, but the uk site (.co.uk) only allows books (as of Aug 2005). Amazon handles the transactions and you get paid directly into your bank account.
CD Baby started as an online shop specialising in selling CDs by independent musicians. You pay a one-off joining fee of $35, and send them some CDs. You can send home burn CD-Rs as long as presentation is good. You DON'T need a UPC code and CD baby takes 9% of the retail price which you set. CD Baby handles the transactions and you get paid directly into your bank account.
CD Baby aslo functions as a distributor, getting your CDs to online CD retailers. Go to www.cdbaby.net
iTunes Music Store is at last making direct partnership agreements with independent music makers. There appear to be 2 ways in which this works ...
iTunes Music Store has 5 compelling advantages ...
You will need to complete an online application at Apple's iTunes Labels & marketing website ... http://www.apple.com/itunes/musicmarketing/
In addition to selling your CDs, CD Baby will act as your digital distributor. All members can automatically have their CDs submitted to a wide range of download music stores including Apple iTunes, Rhapsody, Sony Connect, the new Napster, AOL's MusicNet, BuyMusic, Emusic, MusicMatch, and more. CD Baby handles the transactions, takes a cut and you get paid directly into your bank account.
Subscription service work by getting customers to pay a monthly fee for a limited, or sometimes unlimited number of downloads from their catalogues. This business model has proved comparitively unsuccessful in comparison to iTunes but services such as www.napster.com and www.bandspace.com have had some success. You may find there is nothing to lose by having your music on these services providing the agreement is non-exclusive.
This is a big one for another article but, selling online still requires that you create a buzz. Here's a few ideas ...
I think we've covered this.
Tricky! OK,
Good luck! More about safeguarding your copyrights here.
None at present